“The thing with sculpture is, 90% of the time, when I pass a piece of sculpture, it’s in public or somewhere, and it’s just, how inconvenient that that’s there. It takes up so much room, and it’s so oppressive. When you drive back from Long Island, there’s this big sculpture in the field, this enormous thing, and I always think: “Boy, it would be so much nicer if that was just a field.”
